• English Literature- Classical & Modern Poetry

• Paradise Lost, Book I to Book III
• The Rape of The Lock
• The Ancient Mariner
• Metaphysical Poetry of John Donne
• Poetry of Philip Larkin
• Poetry of Surrey and Wyatt Poetry
• Songs of Innocence And Experience
• Coleridge As a Romantic Poet
• John Keats as a Romantic Poet
• Poetry of Ted Hughes
• Mystic Poetry of William Blake
• Leisure by William Davies
• Tartary by De La Mare
• New Year Resolutions by Elizabeth Sewell
• Woman Work by Maya Anagelou
• Rebel by D.J Enright
• The Huntsman, A folklore
• Solitary Reaper, William wordsworth
• Ariel by Sylvia Plath
• After Apple Picking Summary
• After Apple Picking Themes
• Because I Could Not Stop for Death
• Departure and Arrival by T.S Eliot
• Kubla Khan by S.T Coleridge
• Lights out
• Hawk's Monologue by Ted Hughes
• When I have Fears by John Keats
• Ode to Grecian Urn Summary
• Ode to Grecian Urn Critical Appreciation
• Ode to Autumn by John Keats
• Ode to A Nightingale by John Keats
• IF by Rudyard Kipling
• Daffodils by Wordsworth
• The Second Coming: Yeats
• One Art by Elizabeth Bishop
• All The World's a Stage

"After Apple Picking" Themes

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"After Apple Picking" theme: The poem, "After Apple Picking",by Robert Frost is so rich in literal meanings, symbolic illustrations and contextual prospects that it demands a special investigation from readers. This is just a small effort to surface such themes in trying to interpret them both within the contextual scope as well as beyond those levels. A few important themes have been identified which render significant value in understanding the poem from a simple nature lover's point of view to that of an advanced level reader's and critic's.

What are the "After Apple Picking" Themes or discuss Important Themes of Love, Life, Success, Accomplishment, Comfort and Death in the poem "After Apple Picking" :

Love for the beauty of Nature in "After Apple Picking":

This poem is a typical case depicting the rural and agrarian scenes from a poet that loves painting nature. The setting of the poem is in a village where an apple picker is plucking fruits after he has a great harvest. He is standing in an orchard. There is greenery all around. It fascinates. There is reddish, rose like colour of apples appealing our senses. Moreover, the smell of apples has endowed the evening wind with the "scent of apples". Such a wonderful setting forces us to rush towards it and amuse our senses with the beauty that Nature has on display for us. Nature tempts us as it did to the poet that painted the delightful picture. All this reflects the keen observation of the poet in delineating the lovely natural and agrarian scenes.

Healing Influence of Nature:

Romantic poets have unfolded such vast possibilities in delineating the peaceful, soft, loveable and motherly aspects of Nature that every poem, no matter it is romantic poetry or not, appeals to the senses if it has some relation with Nature. Since Nature has a healing impact on human mind and body; therefore, the healing influence of Nature in "After Apple Picking" cannot be ignored. We see an overtired apple picker is standing on a two pointed ladder. He is picking apples while it is getting evening and the work seems to have no end. He is "fed up with the apple picking now" but he must do his work. There comes the powerful healing influence of nature under which the overtired villager is lulled to sleep and he is "drowsing off".

Speculation of Death in "After Apple Picking":

There are several hints which refer to the speculation of death. Firstly, the reference of woodchuck relates a long sleep meaning death. Secondly, the time of evening is related to either the end of day or the time of romance. Hence, the end of day may also be termed as the end of human life.

Accomplishment and Relishing of success in "After Apple Picking":

Accomplishment and success have been seen with interesting outlooks, here, because our dear apple picker is happy to have a plentiful crop. He would love to "relish" those "ten thousand, thousand fruits" which, unfortunately, the span of time would not let him to. Is it success to achieve or to relish and enjoy? This is an open ended question which intrigues our intellectual faculties.

The very idea of success in "After Apple Picking":

Sometimes it becomes very difficult to decide whether success would be in accomplishment or in letting the thing go because our poor apple picker would love to relish each fruit in hand. He does not want any fruit to "drop" outside the "cellar bin". But he eventually surrenders for the peace of mind and body to sleep or perhaps to death. It is difficult to decide which one is success on that given occasion; to be influenced by nature or to stay overtired in excitement?

Comfort versus excitement of gains in "After Apple Picking":

The practical aspect of comfort versus reality of accomplishment is contrasted in the poem because the apple picker cannot have plentiful harvest if he is cosy and work shrinking but at the same time he cannot avoid comfort regardless of the fact that he is right in front of what actually desired for, a plentiful harvest.

Fatigue in "After Apple Picking":

Human psychology has been explained regarding excitement of overjoy and its related fatigue when one gets tired of what one was extremely desirous of. Fatigue also shifts the focus of human interest while is a manifestation of human fragility.

Theme of Life in "After Apple Picking":

Man is a strange social animal; he tends to strive in the name of so many things that he might himself not remember. He does all this in a life which is neither certain nor easy. The role of the apple picker is to balance the ladder as well as to pick fruits. It is sufficient to let us know the difficult in balancing out i.e. survival with success; this comes too few in their life. However, life goes tragic when a sudden fall is seen or man is seen to depart from life when he had gathered so much to relish. But life becomes really joyful when somebody, especially one's mother, in the present case nature, would soothe one's tiredness.